Chewbacca by Skottie Young!
I’ve got three things I’ve got to get turned in today, two kids to get fed and dressed and a bag to pack and a flight to catch, so I can’t respond to this the way I’d like, but I’m putting it here so I don’t forget.
I also need to let my temper subside a bit. If I were to reply right now I’d resort to name-calling and insults and we all know there’s no ground to be gained there.
Instead, when I’m not shaking anymore, I’ll recount my career trajectory AGAIN. [Magazine writer/research assistant—>comic reviewer—>7 years /10K+ pages adapting manga into English—>anthology shorts—>co-writing gigs—>one-shots—>minis—->ongoings]
Maybe I’ll get Alejandro Arbona to attest—AGAIN!—that I was blind-submitted for my first gig at Marvel. I’ll offer that if you’re looking for Men to Credit for My Career, you should look first to Neil Gaiman, Warren Ellis, Peter Rose, Steve Niles and Jamie Rich — all of whom were responsible for making introductions or getting me chances to submit my work well before Matt Fraction had any pull in the industry. (I’ll also state in no uncertain terms that I wasn’t sleeping with any of those men, because I know, dear Anon, that is your next assumption.) Or Brian Bendis, who had championed my work in a way I will never be able to adequately thank him for. (Ditto Steve Wacker.)
(Also not sleeping with Brian or Steve, just so we’re clear.)
Maybe I’ll ponder why it isn’t Fraction who’s considered to have benefited from nepotism. After all, more than 10 years ago now, Matt Fraction was my plus one to Joe Quesada’s 40th birthday party and it was me who sent copies of Last of the Independents to Joe and Axel. I mean, clearly, it was those gestures that got Fraction his career — certainly not the merit of his work, right? I mean, come on — those Hawkeye Eisner noms are part mine, right?
(I can’t imagine how sick Fraction must be of hearing me tell that story. But I bet it’s not half as sick of it as I am.)
(The first person I met in the industry was Wil Rosado. Through him, the first editors I met were Andy Ball, who’s since moved on, and Joey Cavalieri. Just in case anybody wants to make a chart. This would be… maybe 4 years before I met Fraction, Gillen, Ellis, McKelvie et al on the WEF.)
Okay, deep breath.
Bendis is going to tell me that I shouldn’t acknowledge this, that I’m feeling trolls, but here’s the pickle: people deny that this happens. We’re told that the insults to our dignity working women face are in our imagination, that it’s a thing of sexy Mad Men past. It’s WOMEN who make this a thing, right? (Hysterical, don’t you know.) We’re to the point where I meet young women who won’t identify as feminists because the struggle is over and it’s only a thing if you make it one.
It’s not a natural assumption to leap to the conclusion that I got my job because of my marriage. It’s the product of deeply-ingrained sexist thinking. I can name for you a half a dozen men who did, in fact, get their first big two gigs because of who they knew and their dignity and their qualifications have never been called into question. I’m lucky if I go a week.
I was recently directed to a post on a snake pit of a message board (what was I thinking, even going to look?) by a man I’d known as long as I’d known my husband, a man I’d met at the same time—a man who had felt free to ask professional favors of me on multiple occasions—who was lamenting how “easily” I’d gotten to where I was because of Fraction. When friends of mine pointed him to my CV, he half-apologized because he had no idea. Apparently he thought Marvel—a publicly-owned company—was in the habit of handing out gigs to freelancer’s wives just for kicks. Then he threw up the bit about it being a natural assumption.
I would say simply ‘fuck that guy’ and chalk it up to his not being half as smart as he thinks he is, but here’s the thing:
That guy has daughters.
For them, and for my daughter and for your daughter, I am going to occasionally shine a light on these things… even though it both enrages and embarrasses me.
I don’t know if it’s the right call, but I know that ‘ignore it and it’ll go away’ isn’t working.
I need to figure out a way to contain my outrage enough to talk about it in a way that doesn’t attack, but invites dudes like Anon to rethink their ‘natural assumptions’ without setting myself up as an uppity bitch that they’re invested in proving wrong.
I… I clearly don’t know how to do that right now. But I’m going to figure it out.
Right now, the kids need breakfast and my son has questions about the xenomorph that can’t wait another second.
Men In Comics: Systematically Taking Away Everything Women In Comics have Accomplished
Actually i suppose you don’t need the “in comics” bit.
This is completely unacceptable behavior, thinking, believing. As an industry it’s never going to get better for women until the men in it say FUCK THAT. My wife was published long before me. My wife was writing in comics before me. She was in comics even before she knew me. And on top of working her ass off, she (and surely innumerable others) have this ANONYMOUS BULLSHIT slung at them. She’s earned every one of her gigs and more on her own. And she works harder than many and hasn’t once taken to a message board anonymously to sling this kind of rancid bullshit at others.
And this dick of a little boy thinks the reason she gets to do his dream job is me.
…very astutely predicted today’s unpaid internship problem.
Yes, I know that everyone else has already seen this movie.
This was the most disappointed I’ve ever been in a movie’s latter half after a cool though not flawless beginning. I feel like Rian Johnson wrote 40 minutes of movie (up to Willis and JGL meeting in the diner), realized he had nothing to…
Brian Eno (via jessiethatcher)
I could reblog/post this every day as a constant reminder.
And I’m sticking it up here for people who define the “good” in Make good art in ways that I definitely didn’t intend…
Ray Harryhausen, 1920 — 2013
Steven Spielberg, James Cameron, Peter Jackson, George Lucas, John Landis and the UK’s own Nick Park have cited Harryhausen as being the man whose work inspired their own creations.Ray has been a great inspiration to us all in special visual industry. The art of his earlier films, which most of us grew up on, inspired us so much.” “Without Ray Harryhausen, there would likely have been no STAR WARS”George Lucas
“THE LORD OF THE RINGS is my ‘Ray Harryhausen movie’. Without his life-long love of his wondrous images and storytelling it would never have been made – not by me at least”
“In my mind he will always be the king of stop-motion animation”
“His legacy of course is in good hands. Because it’s carried in the DNA of so many film fans.”
“You know I’m always saying to the guys that I work with now on computer graphics “do it like Ray Harryhausen”
“What we do now digitally with computers, Ray did digitally long before but without computers. Only with his digits.”
“His patience, his endurance have inspired so many of us.”
“Ray, your inspiration goes with us forever.”
“I think all of us who are practioners in the arts of science fiction and fantasy movies now all feel that we’re standing on the shoulders of a giant. If not for Ray’s contribution to the collective dreamscape, we wouldn’t be who we are.”
The Harryhausen Chronicles documentary, narrated by Leonard Nimoy, covers much of his work with some great close-ups of his puppets and lots of advice from the master himself. In the introduction Ray Harryhausen says: “Fantasy is a dream world and I don’t think you want it quite real. You want an interpretation and stop motion gives it an added value that you can’t catch if you try to make it too real.”
The Harryhausen Chronicles in six parts combined with a YouTube playlist.